Consequently, we will not support the complaint that Harry Potter promotes Satanism and witchcraft, for such 'myths' are largely of the past, and are minor problems in relation to the quite common and modern myths Harry Potter does reproduce.īhabha views colonial discourse as an arena of struggle that gives rise to the emergence of new postcolonial spaces. We will do this by showing that despite its many imaginative images those images perfectly reproduce the real and current beliefs that Jacques Ellul, in Propaganda, calls Western myths. To go beyond the surface images, we will start by challenging the view that Harry Potter really is an imaginative work. The novel art of storytelling, from the Neanderthal past-time to the modern genres have followed one single tradition: "heard melodies are sweet…/…spirit ditties of no tone.". What, in turn, gets generated is dissatisfaction with the morbidity and profaneness of our existence, therefore giving birth to reach for the extra-sensory, and the irrational.
Images, words, smell, touch, taste are amalgamated to create distinct perceptions of the objective world and those filtered through our emotional content (psychological orientation) gives us the standpoint of rationality or, for the larger part, irrationality in understanding our world. Rohit Majumdar The human cognitive consciousness conjugates, learns, and imparts through a mechanical and involuntary psychological process of 'comparison'-sensory perceptions aiding objective cognition and recognition from basic sounds to relative objectivity.
Published as personal research work on Literary Psychology and the Psychology of Magic Realism Ahmedabad 2020 Under the supervision of Prof.
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